Debussy’s ‘Sunken Cathedral’ and Satie’s ‘Ogives’

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Philip Hensher in The Spectator wonders about Debussy being apparently devoid of influences: Hardly anything in Debussy’s work is obviously indebted to a predecessor. The hunt for influences on him is a favourite game of musicologists because it is so perverse; once you have mentioned Mussorgsky in the first orchestral nocturne and Wagner’s Parsifal in […]